dptolemy Posted April 17, 2021 Author Share Posted April 17, 2021 Nikon 5600 with an AF-S 24-120mm lens. The idea is to photograph my wife’s acrylic on canvas paintings and have iPrintfromhome.com make a Giclee print that looks as good as the painting, to send to paying customers. I bought a $34 ring light, suitable for zoom meetings, for lighting. ?I shot on Manual at about a 2 foot distance, on a cheap tripod. Settings on Fine, ISO 500, f/22.0 using the light meter. I have Photoshop Elements 2020 on my 2013 iMac to do adjustments. The photos looked great on my calibrated screen, but the 16x20” print I had done came back out of focus and with no contrast, very dull (the file was 30MB at 300 ppi). So there it is. I am shooting in my apartment, there is ambient light coming in the window, but this is the best I can do with no studio. Thanks for your suggestions. Link to comment Share on other sites More sharing options...
Brian Posted April 18, 2021 Share Posted April 18, 2021 On 4/16/2021 at 8:31 PM, dptolemy said: f/22.0 using the light meter. Lenses really do not perform well at f/22! f/11 or even f/8 should be more than enough. Cut your ISO to 100 as well. It's a painting, it's not going to get "tired." Can you post one of the images so I really can get a visual? Even if they are crappy. Link to comment Share on other sites More sharing options...
dptolemy Posted April 19, 2021 Author Share Posted April 19, 2021 This is the photo with the specs I sent you. Link to comment Share on other sites More sharing options...
Brian Posted April 20, 2021 Share Posted April 20, 2021 OK, that's what I thought we were talking about. A few things come to mind: You will need two lights at a 45º Angle on each side of your camera. At this point, I'm thinking of Continuous Lights. You will need two Softboxes as Modifiers. Sizes...either a 36" x 48" or maybe a 24" x 32". Personally, I'd get a pair of Westcott 3x4 Silver Softboxes or a pair of white Impact 36" x 48" Softboxes. The difference between the "White" and "Silver" is the Silver ones have a bit more contrast / punch and they can take a higher temperature of continuous lights. Which is a good thing, since we don't want to start any fires. :D Speaking of Continuous Lights, the ones I was going to recommend are no longer made. While you could use a light like a pair of Einstein 640 lights on a stand, I'm thinking a kit like this might be more something you are after? It comes with stands and lights, you'd just need matching Softbox Modifers, which I linked to above. Your camera is fine. Shoot at a the base ISO, and your model is probably around ISO 100. Shoot at f/8 or f/11. Do not use f/22. What happens is when shooting at f/22, you get something called Diffraction, which in layman's terms, you take a image quality hit. I know you are thinking of a "Deep Depth-of-Field," but it's more important to have the artwork as flat as possible against the wall, not leaning slightly off the wall due to a hook & wire AND have the camera dead straight on when pointed at the painting. You do not want any "angles" from either the Artwork or Camera. You will need a nice and robust tripod, complete with steady ball head. Here is one that shouldn't break the bank the Manfrotto MK055XPRO3-BHQ2 Tripod with Ballhead. Since you aren't lugging that tripod around, it will work really well and not break the bank. The tripod that I'm looking at buying is over $1100, and that's just for the legs! So $400 is very reasonable for a sturdy tripod with a Ball Head. Plus the model's center column switches to a horizontal mode, which is great for table-top photography. Oh, buy the Nikon MC-DC2 Remote Trigger for your D5600. Camera Shake is the enemy. Using f/8 or f/11 and a long-ish exposure will help things. Don't be afraid of 1/60th or 1/30 for a Shutter Speed. You are mounted on a tripod, so this will work for you. Your 24-120 will probably work really well. That said, you might want to invest in a Nikon 105VR f/2.8G Macro Lens, but that can come later. Final thoughts, at least for this comment box... COVID-19 HAS REALLY SCREWED UP A LOT OF THINGS. I have never seen so many things on back-order or just plain discontinued in the lighting dept. I guess with Photographers out of work, and nobody was buying, Westcott and other Lighting Companies orphaned a lot of their products and modifiers. So this process of finding the best lights that work for you might take a few months. Link to comment Share on other sites More sharing options...
dptolemy Posted April 20, 2021 Author Share Posted April 20, 2021 Wonderful, Brian! Thanks so much, I’ll get straight to work. Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now