Damien Symonds

Thanks. Can you scroll down to the bottom of this page to find the troubleshooting section? It's for the 5, not the 4, but should be somewhat applicable.

You MUST NOT say that. You'll confuse yourself. The prints aren't warm. The prints are what they are. What you mean is that the screen is too cold, yes?

Where are you at with this, @Candi McGrail?

Done.

I look forward to hearing if it makes any difference. If it doesn't, you should find another computer to calibrate, and see if you get the same result. If you do, it might suggest that the calibrator is failing.

You might need to start by doing this, then doing a full calibration as if you've never calibrated before.

Anyway, do all the raw processing first, and post some in class for me.

Ok. It will certainly add time to the editing, but it should be quite easy. Have you used the Patch Tool before?

Yeah, shouldn't be too much trouble with the Patch Tool. How many photos will you need to do?

Still looks a tiny bit leany-in at the left side.

Hi mate, are you asking because (a) you haven't seen this? or (b) you have seen it but it didn't work for you?

The Advanced Levels Class, actually.

Did you take a look at each of the Red, Green and Blue channels?

I see LOTS of photos like this (only one eye in focus) so it must be considered acceptable.

PLEASE post some more photos in class, Lynn. It's been way too long.

I guess you'll have to We would never do artistic stuff like this on a half-edited photo.

No it's not. There should be dozens more layers than that.

What do you mean, what's next? You haven't done the first bit right yet. Show me the screenshot of the layers applied to your PSD.

NO. If that's all it can do, you must not use it AT ALL.

What the heck???? Where are all your other layers?????

Yeah, I'm not fond of the eyes either. Its a variation of "The Orton Effect" for which Google will find you lots of tutorials. 1. Add a new blank layer above all the other layers at the top of your layers panel. Hit Ctrl Alt Shift E to make a new merged layer of the whole photo. 2. Duplicate that new layer twice. Now you'll have three identical layers at the top of your layer stack. 3. Turn the first and second layers into Smart Objects. Leave the top one as a normal pixel layer. 4. Name the bottom layer "Burn" and apply some Gaussian Blur to it. I'm not sure how much - maybe 30 pixels? The aim is to soften everything so the young lady is still visible, but not quite recognisable, if you know what I mean. 5. Then change that layer's blend mode to "Multiply". Then add a black mask to hide it. 6. Choose the second layer and name it "Dodge". Apply the same amount of Gaussian Blur to it. 7. Change its blend mode to "Screen", and add a black mask to hide it. 8. Choose the top layer and name it "Sharpen". Change its blend mode to "Overlay" and then go to Filter>Other>High Pass. Maybe a radius of 5ish? Just enough to add some sharpening. Then add a black mask to that one as well. At this point, to re-cap, you have three layers, all hidden by black masks, called "Burn" (Multiply mode), "Dodge" (Screen mode) and "Sharpen" (Overlay mode). When you've done that, show me a screenshot.

How is this?

If she needs Frequency Separation or some other kind of smoothing, then yes, do it first.

How's your screen going, @Elizabeth G?

Hi @Phoebe, did you get my email yesterday afternoon?