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Damien Symonds

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Everything posted by Damien Symonds

  1. There sure is. It takes a bit of time to set up, but will save you SO much time in the immediate future.
  2. First, add a Channel Mixer adjustment layer, check the "Monochrome" checkbox, then enter 0/+100/0 for the values. This will turn the whole photo black-and-white. Then add a Levels layer, and immediately clip it to the Channel Mixer layer (Ctrl Alt G). Enter these values: Red channel: 0/0.40/255 and 0/195 Blue channel: 0/0.80/255 and 0/245 Then return to the Channel Mixer layer and invert its mask to black, then paint over the shirt in those areas. Don't be too precise, big and soft is better at first. Then you'll need to be more precise painting with black to prevent the skin and buttons and little boats from turning green.
  3. Only for the length of time it took me to update the class. Back to CS5 now.
  4. Oh, ouch. Yeah, a non-uniform tint is a bad sign.
  5. You shouldn't need to download anything. Just go to Bridge's Help menu and choose "Updates".
  6. How did you go searching for a suitable donor image?
  7. http://www.damiensymonds.net/art_monitor.html
  8. You'd still run into the problem with the hair.
  9. Oh Jess, I'm so sorry, I've played around with it, but I don't think it's possible. Extending the patterned backdrop isn't too problematic, but masking it plausibly around the hair - it ain't gonna happen, sorry.
  10. No, it's banding. Is it visible in the SOOR?
  11. Gosh no, not at all. Add an overall Levels layer: Red channel 20/0.70/255 Green channel 20/0.70/255 Blue channel 10/0.70/255
  12. Gosh it's stubborn, isn't it? The best I can suggest is to add a Solid Color layer of pale yellow (maybe sample the side of the barge) and set it to "Color" blend mode, then very patiently paint it on to the worst areas with a low-opacity brush.
  13. Still quite clipped at the left end.
  14. Ok, well go ahead and process the raw file without any clipping, then post it again for me.
  15. Gosh, surely the lighting is part of the appeal?
  16. Maybe instead of speaking in hypothetical verse, why don't you explain the actual situation?
  17. No, if it was a perfectly calibrated world it wouldn't be necessary at all, don't you see? The colours you edited on your calibrated screen would be the same colours they see on their calibrated screen. No grey card necessary.
  18. Examine both photos closely. Is the focus exactly the same on the hair? We can't replace sharp hair with blurry hair, or vice versa.
  19. No. You copy layers from one photo to another, as I described here.
  20. Only if you have another photo (or photos) where the hair is against white, so you can do a swap. It can't be done in this photo alone.
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