Damien Symonds

You don't have the computing power to get away with that. Only open the first raw photo. Apply the sliders, then press "Done". Then back in Bridge, right-click on that image and choose "Develop Settings>Copy Settings". Then select the other nine images (or however many it is) and right click and paste the settings. Then open them one at a time into Photoshop to do the Photoshop work.

I really hate your process. Edit one photo at a time, and save it as a PSD. Not this ten-at-a-time nonsense. Then run Image Processor on ALL of them at the end.

Both boxes, yes. Not G.

Both C and D, I think.

Is your Photoshop scratch disk pointing to your D drive?

https://www.damiensymonds.net/cal_starthere.html

At the very bottom of this page.

Yep. If I've got the colour wrong, you can still use your Solid Color layer from the first method to correct it.

Ok, maybe this Channel Mixer layer? R 0, +90, +10, -4 G 0, +90, +10, 0 B 0, +90, +10, +4

First, let's try the easy approach. Add a Solid Color layer of pants colour, set to "Color" blend mode, masked on to the pants, and see if it works. Then try the same for the shirt. Let me know if it's not satisfactory.

People get all hung up on enlargement method. The enlargement method doesn't matter. What matters is the sharpening afterwards. https://www.damiensymonds.net/trainingsharp.html

The clone stamp is the correct method, yes. But it sounds like you're not doing the masking with it? The masking is crucial. https://www.damiensymonds.net/2010/10/role-of-masks-when-cloning.html

The V600 is quite good, yes.

Lightroom has an inaccurate histogram and clipping warnings. The histogram can be fixed with soft-proofing, but the clipping warnings are STILL wrong. Once you actually understand colour spaces and histograms, you'll understand that Lightroom is completely unusable for this reason. Anybody you meet who says that Lightroom is ok DOESN'T KNOW HOW TO EDIT.

Next, have you read this? https://www.damiensymonds.net/2014/06/the-wide-gamut-myth.html

First, have you read this? https://www.damiensymonds.net/examining-the-complexities-of-an-acr-workflow/

I've moved this question into Brian's section. It's definitely not a Damien question.

PLEASE hurry up and dive into your class!

What did he say, @Eva Fifer?

Don't keep me in suspense, @meaghancarr! How did it turn out?

That's ok, it's all about the d&b from here. https://www.damiensymonds.net/simple-dodge-and-burn-tutorial/

Ok, so how about this? https://max.mailbigfile.com/2af97d8ff66f24df97f4c157c9991f86/listFiles.php

Now, talk to me. Do you still think the body needs to be darkened? Or do you share my point of view that the sweet spot is actually somewhere in between the two areas? I think the body should be darkened a bit, and the face lightened a bit.

Ok, can you update your profile details with your calibrator information? You definitely didn't need to do all that stuff with turning the blue areas to grey in the background. You're simply going to add a black Solid Color layer and carefully mask it around the whole horse. And you definitely need to do that first, before we discuss the imbalances in the coat.

No, that's ok, just checking. Can you do this for me?