Try this for me ... add a Channel Mixer layer, and use these values:
Red 0, +86, 0
Green 0, +96, 0
Blue 0, +115, 0
Mask it on loosely and see what you think.
This is not uncommon at all. Different cameras behave differently, and of course Adobe's interpretation of different cameras' raw data varies quite a bit.
You could play with this if you wish. But honestly, it's no big deal, you'll just find you tend to edit with lower midtone contrast than you used to.
May I see a closer crop of that area?
Well, it should be as simple as moving the Hue slider of the Master channel to the left a bit. I'm not sure that Colorize will be necessary in this case.